![]() ![]() Some artists, for example, may be principally inspired by such attributes of the print as the matrix - such as the metal plate or block of wood - or the multiple. Many approaches exist by which artists may deploy printmaking in the creation of mixed-media works. Which overarching print strategy may be best for you? Air-drying may be one way to speed up the drying process to help avoid this problem, if you have little option but to print layers in swift succession. If, for example, you attempt to print a relatively dry layer over a very oily layer that has only recently been applied, the oily layer may resist the dry layer on top of it, a phenomenon known as “wet rejection”. Whatever strategy you do choose here will have consequences. Although, again, no absolute rules exist in terms of how you should sequence and time different layers of printing - multiple stages sometimes happening in one day, or only taking place over weeks or months. Think carefully about the implications of sequence and timing.Leaving the printing of intaglio matrices until last will help you to keep this aspect of the print layer. You will need to allow this surface to dry before performing any subsequent printing, if squishing is not to occur. Intaglio printmaking, of course, is associated with the creation of what might be deep recesses, and therefore a very physical ink surface. ![]()
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